Day 6 - A Nightmare on Elm Street 4: The Dream Master | 31 Days of Halloween
For Day six of the 31 Days of Halloween with Bark Knight Media, it was time to dive back into one of horror’s most iconic slashers villains with Freddy Krueger Day, featuring A Nightmare on Elm Street 4: The Dream Master.
Released in 1988 and directed by Renny Harlin, this entry marks a turning point for the franchise. Harlin would later go on to direct Die Hard 2: Die Harder, Cliffhanger, The Long Kiss Goodnight, Deep Blue Sea, The Covenant, and more recently The Strangers: Chapters 1–3. You can already feel that larger, more stylized blockbuster energy creeping into the Elm Street formula here.
First things first: this movie is an absolute blast. It knows exactly what kind of franchise it’s in at this point and doesn’t take itself too seriously. Freddy is fully leaning into his one-liner era, the dream logic is pushed to absurd extremes, and the set pieces are clearly designed to be fun first and frightening second.
Case in point: Freddy’s resurrection. After his defeat in Dream Warriors, he’s brought back in a dream sequence involving Kincaid’s dog digging up his bones and peeing on them, resurrecting him in a sort of strange, supernatural hellhound ritual. It’s ridiculous. It’s over-the-top. And, honestly? It fits the tone of where the series is heading. (For anyone concerned: the dog survives.)
The kills are some of the most creative in the series up to this point. This is where the franchise really starts to lean into dreamlike, almost music-video-style death sequences. There’s a lot of imagination on display, and even when the ideas get weird, they’re usually entertaining. The practical effects are also still pulling their weight here, including a great Freddy resurrection sequence that feels very reminiscent of Frank’s rebirth in Hellraiser. The makeup work on Freddy remains solid, and visually, this is one of the most distinctly ’80s entries in the entire franchise.
The soundtrack absolutely leans into this energy too with neon, synth, and rock ballads of different types leading the musical charge. And, if you listen closely at the credits roll, you’re rewarded with the truly unhinged experience of Freddy Krueger rapping over the end credits in “Are You Ready for Freddy” by The Fat Boys. It’s one of those “you can’t believe this is real” moments that perfectly encapsulates the era.
That said, there are definitely a few rough edges. The recasting of Kristen (originally played by Patricia Arquette in Dream Warriors) is jarring, especially if you’re watching these back-to-back. The returning characters from Part 3 (light spoilers) don’t exactly get the most graceful treatment either. Light spoilers aside, it’s clear the film is more interested in moving the franchise forward than honoring what came before.
There’s also something unintentionally hilarious about how often characters refer to Freddy as “Fred.” It feels wrong every single time. Like using, “Sir Frederick Krueger!” It’s not right, but, I digress…
Still, none of this seriously drags the movie down. By this point, the filmmakers clearly understand why people are showing up. You’re here for Freddy, the creative dream kills, the wild visuals, and the increasingly cartoonish tone of the series. On those terms, The Dream Master absolutely delivers. Just don’t take everything that is happening too seriously, and you’ll be just fine.
While it’s not my favorite entry (that honor still goes to Wes Craven’s New Nightmare outside of the original), this is a really fun chapter in the franchise and an easy recommendation if you’re doing a full Elm Street marathon.
What’s your favorite Nightmare on Elm Street film?
Let me know on social media, and join me next time for Day 7’s theme: Creature Feature.
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